Register

Musical Theatre
auditions.

An intentional pathway to college acceptance. Your audition follows the Musical Theatre Common App package as outlined in GetAcceptd — songs, monologue, and the DC Unifieds Dance Call, all in one professional, structured experience.

How it works: Register through our registration portal first. You’ll receive a code to submit through GetAcceptd starting July 1st.

Sing act Dance prepare Showcase callback Belt legit Sing act Dance prepare Showcase callback Belt legit
Our Process

An intentional pathway.

Five structured stages — from your first run-through with the accompanist to callbacks. Every step is designed so you walk into the room confident and leave seen.

01
Accompanist & Preparation

Time with a pro before you ever sing for faculty.

Before auditions, students meet with a professional accompanist for a dedicated session. You'll review your cuts, set tempos, and walk through musical direction so you enter the audition room ready — not guessing what the piano is about to do.

  • Bring clearly marked sheet music in your performance key
  • Mark tempo changes, cuts, and any held notes plainly
  • Tape pages or use a clean binder — no plastic sleeves
  • Treat the accompanist run as part of your audition prep
02
The Audition Experience

Your full package, performed for multiple programs at once.

Students perform their audition package — songs and a monologue — in a professional, structured environment. You're seen by multiple college programs in one centralized location, designed to run efficiently and respectfully so every student presents their best work.

  • Audition material follows the Common App spec on GetAcceptd
  • One performance is seen by many programs simultaneously
  • Professional run-of-show pacing — no rushed entries or exits
  • Arrive warmed up; you may go on earlier than expected
03
The Dance Call

Choose your track — Mover or Dancer.

Musical theatre students participate in the DC Unifieds Dance Call, choosing either the Mover track (for limited training) or the Dancer track (for advanced skills). You'll learn choreography, perform in small groups for college faculty, and be evaluated at the appropriate level. Select students may be invited for additional movement evaluation.

  • Mover track: built for actor-singers with limited dance training
  • Dancer track: for students with strong technical training
  • Dress in fitted layers; jazz shoes and character heels both
  • Hair pulled back — faculty need to see your face
04
College Workshops & Faculty Interaction

Where you discover not just where you get in, but where you belong.

Throughout the event, students attend college-led workshops offering direct interaction with faculty, insight into each program's training style, and additional opportunities to be seen beyond the audition room. This is where the conversation goes from "audition" to "fit."

  • Workshops led by attending college faculty
  • Direct, informal interaction with the people who'll teach you
  • A clearer sense of each program's culture and approach
  • Extra visibility — faculty see you working, not just performing
05
Callbacks & Next Steps

How decisions and follow-ups actually happen.

Callbacks are communicated through Acceptd and directly by participating schools, with schedules released overnight. Each college manages its own process, and additional callbacks may occur after the event. Monitor your communications closely throughout the weekend — and after.

  • Check Acceptd and email every morning during the event
  • Some programs notify same-day; others follow up weeks later
  • Bring everything to callbacks — you may be asked for new material
  • Post-event communication continues for weeks. Stay responsive.
Requirements

The essentials.

Bring these every day, in a binder, organized. Faculty will ask for materials in the moment — you don't want to be the student fumbling.

Item
Spec
Why it matters
Headshot
8.5 × 11 printed in color, name on the back, current within the last 12 months
It's the first thing faculty hold. Make sure the photo actually looks like you walking in the door.
Resume
One page, stapled to the back of your headshot, theatre credits + training + special skills
No high school dance recitals padded out. Honest credits earn more trust than impressive lies.
Sheet Music
Three-ring binder, single-sided, taped at the spine if needed, in your performance key
The accompanist plays what's in front of them. A messy book = a messy accompaniment.
Dance Attire
Form-fitting top, dance pants or fitted shorts, jazz shoes and character heels both
Faculty assess your line. Baggy clothes hide what they're trying to see.
Audition Outfit
A look that fits your casting type — solid colors, easy silhouette, no statement jewelry
You're not dressing as a character. You're dressing as the most castable version of you.
Prescreen Materials
Pre-recorded videos via Acceptd by September 15, format per program spec
Some programs require prescreens before they'll see you live. Submit early; technology fails.
Your Three Days

How it unfolds.

From check-in to callback, here's exactly when you'll be on, when you'll prepare, and when you'll get to breathe.

Day 01 · Oct 15 3:00 PM

Check-In & College Fair

Pick up your badge, audition packet, and time slots. Walk the college fair before things start.

Open
Day 01 · Oct 15 7:00 PM

Welcome & Keynote

Broadway guest speaker, an overview of what the next three days look like, and Q&A with the team.

Required
Day 02 · Oct 16 8:30 AM

Vocal Warm-Up

Group warm-up led by a music director. Optional but strongly recommended — wakes the voice up properly.

Optional
Day 02 · Oct 16 9:00 AM

Voice & Monologue Auditions

Your assigned slot. Both songs and your monologue, in front of faculty from your selected programs.

Required
Day 02 · Oct 16 2:00 PM

College-Led Workshops

Choose two from over twenty offerings — acting through song, audition technique, classical text, and more.

Workshop
Day 03 · Oct 17 9:00 AM

Dance Call

Combo taught live, then performed in small groups. Faculty watch from the front. Pace yourself.

Required
Day 03 · Oct 17 3:00 PM

Callbacks & Tech Showcase

Invite-only callbacks from individual programs, plus a tech showcase for design and stage management students.

Invite
Day 04 · Oct 18 8:00 AM

Final Callbacks

One-on-one time with programs that want to see more. Bring everything; you may be asked for new material.

Invite
Who's Watching

College Lineup.

Our roster of attending college programs is being finalized — here’s what to expect.

First round of participating colleges announced June 2026.
New colleges added every month through the event.
Expecting 30–40 colleges in attendance.
From the Faculty

What actually moves the needle.

  • 01

    Sing the lyric, not the note.

    Faculty hear technically perfect singers all day. What they remember is the student who landed a single line so honestly the room got quiet.

  • 02

    Pick material that fits you now.

    Don't pick a 30-year-old character song because the belt is impressive. Choose pieces that match where you actually are as a person and an actor.

  • 03

    The first impression starts in the hallway.

    How you greet the monitor, how you wait, how you walk in — faculty hear about all of it. Be the student the program manager wants to advocate for.

  • 04

    If you mess up, keep going.

    How a student recovers from a stumble tells faculty more than a flawless run-through. Don't apologize, don't restart unless asked. Stay in it.

  • 05

    Coachability beats polish.

    If faculty give you an adjustment in the room, try it immediately and fully. They're seeing if you can take a note — that's literally the job.

  • 06

    Be ready to be asked, "what else do you have?"

    Have a third song and a second monologue prepped. Being able to pivot when faculty want to see more is one of the strongest impressions you can make.

FAQ

Quick answers.

Musical theatre track specifics. For general questions, see the main FAQ.

Yes — most students perform the same set across programs. Some schools may ask for something different in callbacks; that's when your third song earns its keep.
Faculty will cut you when they have enough information — usually before the cut ends. A clean 32-bar cut shows you understand the form. Going long signals you didn't trust the material.
No — the choreographer brings music. You only need your singing materials (book) for the voice/monologue portion.
The dance call is about pickup speed, energy, and how you take direction — not how trained you are. Programs accept beautiful actor-singers who dance moderately well all the time.
Most programs want a monologue from a play, not a musical book scene. When in doubt, default to a contemporary play — that's the standard the room expects.
Show both — your up-tempo should reveal one and your ballad the other. Faculty want to know your full range as a vocalist, not just your strongest mode.
Tell the team immediately. We can sometimes reorder slots or accommodate vocal rest. Don't push through and damage your instrument — programs would rather see you healthy.
Programs interested in seeing more will request callback slots, usually for Day 3 afternoon or Day 4 morning. You'll be notified by text and email; check both regularly.
No — auditions are closed. Parents have a dedicated lounge and several optional sessions covering financial aid, the BFA timeline, and supporting a performing arts student.
Like What You See?

Register today.

Lock in your spot for the Musical Theatre track. Slots fill program-by-program — register early to get the schools you want.

Register for Musical Theatre
👋 Hi! I'm Uni. Got questions?